New York Magazine published an article today asking What Was the Hipster? The article explores the modern hipster movement in its entirety. It delves into the creation and mindset of the hipster from the early 2000′s until now. One of the more interesting statements from the article argues that the hipster is not truly creating anything, only adopting and editing existing culture. Check out some of our favorite quotes and the link to full article after jump.
What is a hipster really?
“Indeed, the White Hipster—the style that suddenly emerged in 1999—inverted Broyard’s model to particularly unpleasant effect. Let me recall a string of keywords: trucker hats; undershirts called “wifebeaters,” worn alone; the aesthetic of basement rec-room pornography, flash-lit Polaroids, and fake-wood paneling; Pabst Blue Ribbon; “porno” or “pedophile” mustaches; aviator glasses; Americana T-shirts from church socials and pig roasts; tube socks; the late albums of Johnny Cash; tattoos.”
“These were the most visible emblems of a small and surprising subculture, where the source of a priori knowledge seemed to be nostalgia for suburban whiteness. As the White Negro had once fetishized blackness, the White Hipster fetishized the violence, instinctiveness, and rebelliousness of lower-middle-class “white trash.” “I love being white, and I think it’s something to be proud of,” Vice founder Gavin McInnes told the Times in 2003.”
“Of course, there are artists of hipster-related sensibility who remain artists. In the neighborhoods, though, there was a feeling throughout the last decade that the traditional arts were of little interest to hipsters because their consumer culture substituted a range of narcissistic handicrafts similar enough to sterilize the originals. One could say, exaggerating only slightly, that the hipster moment did not produce artists, but tattoo artists, who gained an entire generation’s arms, sternums, napes, ankles, and lower backs as their canvas. It did not produce photographers, but snapshot and party photographers: Last Night’s Party, Terry Richardson, the Cobra Snake. It did not produce painters, but graphic designers. It did not yield a great literature, but it made good use of fonts. And hipsterism did not make an avant-garde; it made communities of early adopters.”
Be sure to check out the entire the New York Magazine article online, it is a great exploration into the subculture that we all know too well. Thanks to Griffin for the heads up.